Clap
Clap drum element instruments that use incoming note signals to synthesize audio.
v1 Clap
Previously named E-Clap, a monophonic electronic clap instrument made from noise, a low-pass filter, and repetitions.

The NOISE section comprises the instrument's sound generation parameters. The amplitude for the instrument is controlled by an AD envelope that has a short, fixed attack time and an exponential, adjustable Decay time.
Each incoming note message immediately triggers the amplitude envelope. And for the Duration time following the beginning of each note, the envelope is retriggered at every Repeat time interval.
For example, if Duration is set to 45 ms
and Repeat is set to 10 ms
, each note will trigger the amplitude envelope five times: zero milliseconds (the instant the note is received), 10 ms, 20 ms, 30 ms, and 40 ms.
Width sets the amount of stereo flutter added to each noise burst.
The COLOR section provides controls for the instrument's low-pass filter. Freq sets the cutoff frequency, and Q sets the amount of resonance.
The final section offers a control for the instrument's Vel Sens.(itivity) and a level control for its Output.
Nested Device Chains:
FX - A chain for processing the device's entire audio output.
v8 Clap
An instrument inspired by the Hand Clap (CP) of the Roland TR-808. With the following controls:
Tune, for adjusting the sound by ±1 octave, plus:
A numeric control for tuning, so you can adjust by whole semitones (by dragging the integer portion)
Micro-pitch expressions will be used relatively, so bending notes will still work (in Drum Machine devices or anywhere else)
Or enable Keytracking Mode, which will fully follow the pitch of notes played (good for instrument tracks/layers)
Decay, for sound length
Flam, for the density and speed of retriggers
Stereo Width of the noise element
Velocity Sensitivity, scaling the dynamic range (when a full range of note velocities are used)
FX chain, for post-processing from Bitwig devices or plug-ins
Output level, applied after the FX chain
v9 Clap
An instrument inspired by the Hand Clap (CP) of the Roland TR-909. With the following controls:
Tune, for adjusting the sound by ±1 octave, plus:
A numeric control for tuning, so you can adjust by whole semitones (by dragging the integer portion)
Micro-pitch expressions will be used relatively, so bending notes will still work (in Drum Machine devices or anywhere else)
Or enable Keytracking Mode, which will fully follow the pitch of notes played (good for instrument tracks/layers)
Decay, for sound length
Flam, for the density and speed of retriggers
Stereo Width of the noise element
Sound Variation, for the randomness added to each note, which pushes toward a "multi-sampled" feel at high settings
Velocity Sensitivity, scaling the dynamic range (when a full range of note velocities are used)
FX chain, for post-processing from Bitwig devices or plug-ins
Output level, applied after the FX chain
- 0. Welcome to Bitwig Studio
- 1. Bitwig Studio Concepts
- 2. Anatomy of the Bitwig Studio Window
- 3. The Arrange View and Tracks
- 4. Browsers in Bitwig Studio
- 5. Arranger Clips
- 6. The Clip Launcher
- 7. The Mix View
- 8. Introduction to Devices
- 9. Automation
- 10. Working with Audio Events
- 11. Working with Note Events
- 12. Operators, for Animating Musical Sequences
- 13. Going Between Notes and Audio
- 14. Working with Projects and Exporting
- 15. MIDI Controllers
- 16. Modulators, Device Nesting, and More
- 17. Welcome to The Grid
- 18. Working on a Tablet Computer
- 19. Device Descriptions
- 19. Credits